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  • Sample sets for Hauptwerk 5 ready

    All Sonus Paradisi sample sets are Hauptwerk 5 (and 6) ready!

    Unencrypted sample sets are ready for Hauptwerk 5 or 6 natively. No update or upgrade is necessary. The sample sets run smoothly in the new Hauptwerk after the upgrade from Hauptwerk 4.

    Encrypted sample sets must be reinstalled. All the sample sets were updated with the Hauptwerk 5 versions. These are good also for Hauptwerk 6. Continue reading

  • Smecno extension pack

    Christoph Schmitz created very useful extension pack for Smecno.
    It can be obtained from his webpage.

  • Aristide no. 1, v. 2

    Aristide No. 1 is a composite sample set, which tries to imitate the sound of the the great Aristide Cavaillé-Coll organ at Saint-Ouen in Rouen, France. The mixtures of Saint-Ouen have been reconstructed rank by rank using the original specifications. Continue reading

  • Santanyi - portrait screens available

    Christoph Schmitz kindly added portrait screens to the Santanyi sample set. Continue reading

  • Sonus Paradisi on Facebook

    Our presentation on Facebook is not rich, but it is still a tool of communicating issues more or less related to Hauptwerk work, organs, etc.
    If you wish to become a Facebook friend of Sonus Paradisi, you are kindly invited to visit our profile.

  • Carson Cooman: Czech Hymns

    I received an unexpected gift. Carson Cooman dedicated to me a few of his gifted compositions. The series is called A Czech Liturgical Year, five hymn preludes for organ. Continue reading

  • Media ordering apart from download

    The DVD media ordering changed on the Sonus Paradisi web pages. The media cannot be ordered together with the download. The installation media (DVD boxes) are now to be ordered from within the user account (the My Products section). Continue reading

  • Fidelity must be rewarded!

    We are living today in a world which does not favor fidelity. Qualities opposite to fidelity, devotion or stability seem to rule: mobility, flexibility, infidelity or outright adultery and godlessness.

    I decided to do something (albeit little) against this dominating climate. Continue reading

  • Comparison between Palma and Santanyí Organs

    All of the Spanish organ music from the Baroque and Classical periods can be played perfectly on both instruments (with the exception of a few Soler pieces that have such a large keyboard range that they cannot be played on any historical Spanish organ). But the most striking characteristic of these two instruments is Continue reading

  • Notes about Historical Registration on the Santanyí Organ

    Every registration given here, no matter how obvious, can actually be found in historical sources, unless otherwise indicated by the use of a qualifier such as "presumably" or "probably." Continue reading

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