PERUC demos   - Hauptwerk demos (all wav format, huge to download)

F. Ch. Mohrheim: Trio in A

• 1: Kryt 8, Fletna 4, Quint 1 1/3
• 2: Copula 8, Fugara 4, Principal 2
• P: Violon 8
   

F. Ch. Mohrheim:  Trio in g - fuga

• 1: Kryt 8, Octava 4
• 2: Copula 8, Fugara 4
• P: Violon 8

F. Ch. Mohrheim:  Trio in G

• 1: Kryt 8, Octava 2
• 2: Copula 8, Copula 4, Octava 1
• Ped: Violon 8
  
   

PERUC demos   - Hauptwerk 1 demos

MP3 Demos

Some demos created using MIDI files kindly supplied by James Pressler. Hence, virtual performances created by James Pressler (www.virtuallyBaroque.com).

J. Pachelbel: Fantasia in D (I. man.: Kryt 8, Principal 4, Quint 1 1/3, II. man.: Kryt 8, Principal 2, Pedal: Subbas 16, Violon 8)

J. Pachelbel: Toccata in E (I. man.: Kryt 8, Fletna 4, Oktava 2, Mixtura, II. man.: Kryt 8, Ped: Subbas 16, Violon 8). Other setting - without Mixtura and Violon; with II/Pedal coupler.

J. S. Bach: An Wasserflüssen Babylon (Part only, I.man.: Kryt 8, Fletna 4, Oktava 2, Quint 1 1/3, Terz; II. man. Copula maior 8, Fugara 4, Pedal: Subbas 16, Violon 8)

J. S. Bach: Gelobet seist du, Jesu Christ (I. manual: Principal 4 solo - just to enable you to hear the special timbre of this principal)

J. S. Bach: Christe, aller Welt Trost (II. manual: Copula maior 8 + Copula minor 4)

J. S. Bach: Wir glauben all an einen Gott (I. manual: Kryt 8, Principal 4, Oktava 2, Quint 1 1/3, Terz 1 3/5)

Virtual performance by Jiri Zurek:

Friedrich Christian Mohrheim (1719-1780): Trio in G

• Peruc Virtual Organ Set

  • I.: Principal 8, Kvinta 1 1/3

  • II.: Kryt 8, Fugara 4, Principal 2

  • Ped.: Subbas 16, Violon 8

F. Ch. Mohrheim: Trio in G (other)

• Peruc Virtual Organ Set

  • I.: Kryt 8, Fletna 4

  • II.: Fugara 4, Octava 1

  • Ped.: Violon 8

F. Ch. Mohrheim: Trio in g (fuga)

•    Peruc Virtual Organ Set

  • I.: Salicional 8

  • II.: Kryt 8

  • Ped: Violon 8

The Demos under are very rough performed live by myself. As I am really NOT a good organ player, the artistic quality is very very low. I apologize for that. But the purpose is to give a feeling of the timbre of the stops, not to give you an artistic recording. I think the colors of the individual stops come nicely even in this ugly interpretation. Please, keep in mind that these MP3 samples are very much compressed to be downloadable through the Internet. But this affects the quality of the sound.

Church hymn: Beranku bozi (Kryt 8)

Church hymn: Boze vernym zemrelym (Salicional 8)

Church hymn: Svaty (Kryt 8, Fletna 4)

Church hymn: Zni Slovo (Principals 8+4+2)

Church hymn: Vsichni verni krestane (I. Kryt 8, Principal 4+2, Quint 1 1/3, II. Copula 8, Fugara 4, Principal 2, Pedal: Subbas 16, OctavBas 8)

Church hymn: Z hvezdy vyslo slunce (Principal 8+4+2, Mixtura - the current state, Pedal Subbas 16, Violon 8), the same played on the "Peruc - original" sample set with rebuilt mixtura")

Church hymn: Pojdte uctit (organo pleno senza pedale: played on the current state sample set, played on the "original" sample set, played on the "full" sample set)

Church hymn: Velikonocni obeti (Kryt 8, Principal 4+2, Quint 1 1/3, Subbas 16, OctavBas 8)

Church hymn: Vesel se nebes kralovno (pleno I. man+Ped. - with the rebuilt mixtura)

J.F.N. Seger: Praeludium (Pleno Principal 8+4+2, Quint 1 1/3, Ped. Sub16 + OctavBas 8)