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Features and screenshots
The Compass
The original compass of the
manuals is 4 octaves without the lowest C#, D#, F#, G#.
The pedal compass is 18 tones. This is carefully modeled in the original
version of the ODF. The extension of the manual and the pedal is offered in
another ODF: the manual extends to 4 and half octaves (up to f), the
pedal has 32 tones (up to g), the bass octave
chromaticised.
Sample Quality
The samples
are offered in 24bit/48kHz quality, multiple releases (3 levels). The
reverberation time is up to 4 seconds for the ambiental versions. Special
Temperament chart is offered for the installation to emulate the original
organ tuning. The sample set is presented in 3 different versions:
- Wet: distant recording capturing the
original acoustics of the church.
- Surround: the surround recording uses 4
independent channels for each virtual pipe (for each sample). The sound of
the organ pipes is captured by the front
microphones, the church response by the rear microphones. The
4 channels are extracted from the recording amd
assembled to the sample set. The two
front channels are used to supply the sound of the
organ to the front speakers, while the 2 other
channels offer the response of the church. You can
use these two channels to feed your surround (rear) speakers. Please note,
that at least 4 speakers are needed to reproduce the multi-channel audio.
- Dry: the samples offer the close-up
recording of individual pipes. Unlike the conventional mono-panned sample
sets, this is multi-channel dry recording, offering 3 natural channels for
each pipe: the left, the right and the center. The rank routing dialog below
shows the mapping of the channels to the audio outputs of your multi-channel
audio system. If you use only 2-channel system (stereo), you can still use
the sample set, by simply muting the unused channels.
This sample set may be used well in self-reverberant spaces (such as
churches) or it may be mixed with the digital reverb. By the addition of
digital reverb you can virtually "move" the organ into various spaces
according to your need and your liking. You may try the convolution
reverberation using the IRīs offered by our
Hauptwerk.cz
partners.

The rank routing dialog box for the dry version of the
sample set: each stop is composed of the two virtual "ranks"
containing various audio channels. The left and right channels are marked
by the "L-R" sign. You should route these virtual ranks
into your main audio output (left and right speaker). If you have also the
center speaker, you can route the ranks labeled with the "C" into this center
speaker.
Screenshots
| the virtual console |
the bellows |
the voicing tab |
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